The SaltMarsh

The SaltMarsh is my second animated short.  It is a work in progress, between assignments.  The backgrounds shown here are first composed in storyboard form.  The boards have enough detail to serve as a decent shot layout.  From there I work on rough, cold press watercolor paper.  I produce a black and white tonal painting with Japanese stick ink and traditional brushes.  Next, I scan the painting on a large, high quality flatbed scanner.  The painting is digitally colored, and eventually composited using a virtual After Effects camera.

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