The SaltMarsh is my second animated short. It is a work in progress, between assignments. The backgrounds shown here are first composed in storyboard form. The boards have enough detail to serve as a decent shot layout. From there I work on rough, cold press watercolor paper. I produce a black and white tonal painting with Japanese stick ink and traditional brushes. Next, I scan the painting on a large, high quality flatbed scanner. The painting is digitally colored, and eventually composited using a virtual After Effects camera.